​Born in Chattanooga, TN, I have grown up in Tennessee, Georgia, Texas, Florida, Wisconsin, Mississippi, Germany, the Philippines, and other places. I don't consider anywhere home, except where I am right now, but that too, is temporary. I'm still growing up, by the way.

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I've been making for as long as I can remember, though I came to making photographs in high school, through Mr. Jacobson's class (1992/1993), and lots and lots of self-directed reading: books about the Vietnam War (I was born the year Saigon fell), then, further along in life, specific photographic monographs or anthologies by or about artists ranging from Paul Strand, Alfred Stieglitz, all those Secessionists, to Duane Michals, Herb Ritts, Minor White, then Imogen Cunningham, Harry Callahan, Eliot Porter, Wolfgang Tillmans, Nobuyoshi Araki, Nan Goldin, William Eggleston, Bruce Davidson, Sandy Skoglund, and the list could go on for days. I looked voraciously!

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And, I worked. As you can see below, I was a reporter for a few newspapers, but mostly I explored on my own, with various 35 mm film cameras first, then, starting in 2005, with digital cameras of a couple makes and models. I'd give myself assignments (photographing 24 hours in a city, photographing buildings at night, photographing necks, photographing trees at night) and grow into my particular vision(s) through experience.

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Jacobson taught us darkroom technique, but it wasn't until Rick Dingus' grad photography classes in 2004/2005, that I got back into the darkroom, printing, and I even learned to print color then. Also around that time (2005), I began to collaborate with a friend, Gail Folkins, who was working on a book about dance halls in Texas (some of those images are in the Galleries).

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In 2007, after reading Parr's and Badger's A History of the Photobook Vol I and II, I began to think even more about the purposes, the challenges, the benefits and joys of photobook making, how that can affect photo meaning making. So, in 2007, I designed at least six photobooks on varying subjects (I admire Ed Ruscha's explorations/games/creations), playing with design/layout/text using repetition/juxtaposition/space/position/sequencing to create meanings.

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Since then, I've continued exploring, seeing new ways, things new to me. I hope to always remain curious, visually, and I photograph as one means to understand.